| LCM
85 |
Wind Instruments.
Condenser microphone volume, tone and stand-by switch. Supplied with a clamp
this microphone can be used on many instruments, Saxophone, Trombone,
Tuba etc. Complete with gooseneck clamping system and pre-amp. |
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| LCM
89 |
Alto/Tenor/
Baritone Saxophone. Condenser type with volume, tone and stand-by switch.
This condenser microphone is used by many professionals for studio and live
sessions. The handmade LCM 89 gives a pure natural sound. The microphone is
very stable positioned in the centre of the bell, giving you a full sound.
Complete with Tri-pod clamp system and pre-amp |
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| LDM
94 |
Alto/Tenor/Baritone
Saxophone - High Power. Dynamic capsule type. This microphone is designed
for far reaching sound pressure levels for Saxophonist playing at very high
volumes, e.g. rock bands. This microphone requires no pre-amp and has a direct
XLR output. |
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| LCM
80 |
Soprano
Saxophone - A Soprano produces a warm and rich "mellow" sound coming from
the middle part, the 'high' tones (more sharp and harsh frequencies) are coming
from the top. The LCM80 has two mikes in the right places and they are
precisely balanced! In this way you will get a perfect reproduction of the
whole instruments sound spectrum. Both adjustable elements are mounted
completely shock-free and have exchangeable clamps for different
soprano-models. Complete with claming system and pre-amp |
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| LCM
80EW |
Soprano
Saxophone - The LCM80EW model, with two mic’s positioned above the
instrument, produces an Extra Warm sound while it doesn’t amplify the
sharper sound coming from the bell. Designed in cooperation with Bill Evans.
Complete with clamping system and pre-amp |
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| LCM
70 |
Flute.
Condenser microphone with volume, tone and stand-by switch. The silver plated
clamp easily attaches to the head joint and produces a smooth balanced
frequency response, for Classical, Jazz and pop music. |
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| LCM
77 |
Trumpet.
Condenser microphone with volume, tone and stand-by switch. The light weight
translucent tube can be easily clipped on whilst still giving room to use
mutes. Designed with the sound engineers of the late Miles Davis, this
microphone offers freedom never available before. Complete with
pre-amp |
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| LCM
77F |
Trumpet, Flugel,
Tromobne
. Same as the LCM 70 bus uses a gooseneck clamping
system |
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| LCM
82 |
Clarinet.
Condenser type with volume, tone and stand-by switch. This system uses two
microphones, one bell mounted and one over the body to give a true sound.
Complete with clamping system and pre-amp |
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| LCM
82B |
Bass
Clarinet |
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| LCM
83 |
Bassoon. A new
additional to the SD range. Condenser type with volume, tone and stand-by
switch. A two microphone system that allows the full tonal range of the
instrument to be amplified. Complete with clamping system and
pre-amp. |
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| LCM
100HL |
Double Bass.
Condenser type with volume, tone and stand-by switch. This microphone offers
the ultimate solution for the double bass. It guarantees a natural sound
reproduction of digital studio quality, from the most subtle bow to heavy jazz
solos. The microphone includes a bridge clamp and a high level preamp to
connect with the line input of a bass amplifier. |
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| LCM
110HL |
Violin.
Condenser type with volume, tone and stand-by switch. The microphone is mounted
shockfree at the tail piece and gives a very natural sound. Complete with
pre-amp. |
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